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Only after 1900, once smaller cameras freed photographers to explore, and modernist aesthetics had become widespread, does photography show the influence of what painters had explored decades before. Thus the creator of such a show has two choices. The tougher one is to document the interaction between artists and photography in the 19th century. The easier one is to show photography, most of it much later, that demonstrates the influence and shares the subject matter of the painters who dominate the Barnes collection. This exhibition, pulled together very quickly after another planned exhibition fell through, takes the second path. It consists entirely of works from the collection of physicist Michael Mattis and his wife, Judy Hochberg . It is widely considered one of the most comprehensive and serious collections of photography in the country. It is not an idiosyncratic collection. According to Thom Collins , executive director and president of the Barnes Foundation, it has been formed much as a museum collection would be, filled with the best and most representative works from the invention of photography onward. It is an extremely attractive show, filled with excellent vintage prints of works by some of the biggest names in photography, including Eugene Atget , Brassai , Ilse Bing , and Henri Cartier-Bresson . You have probably seen many of these photographs before in books and in other exhibitions.

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